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Geometry of Soviet Women

by Nino Davadze

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Ever Once 03:28

about

'Geometry of Soviet Women' is a debut release by Georgian multidisciplinary sound artist and composer Nino Davadze.

The symbiosis of knife-edged experimental electronics, synthesised vocals and field recordings are presented in two powerful tracks that aim to encapsulate contemporary Georgian society's resilience and vulnerability from the eco-feminist perspective.

The rawness of field recordings with heavily distorted drums, ambient soundscapes, and sinister vocals ties the nostalgic reflections happening in urban spaces in the Georgian capital Tbilisi. Experimental musician and multimedia artist Nino Davadze aims to capture the intricate utopian vision, and fragile voice of anger and creates a letter from the beloved city with a tangible memory of its people. She creates the language of resistance, manifested by her field recordings, profound lyrics and harsh, deconstructed beats.

Nino Davadze is an experimental musician and multimedia artist from Tbilisi, Georgia. She draws inspiration from classical music training and choral singing in an Orthodox church in the Georgian countryside. Nino’s formative years in Sheffield, UK, had sparked the idea of combining two parallel universes into her compositions - avant-garde electronic sound and storytelling using the spoken word and field recordings. Nino’s recent live performances brought her to share the stage with the likes of Mark Fell, Sote and Rian Treanor, as well as collaborations with Mutant Radio, New Drama Festival, and CES Records, the platforms that are at the forefront of Georgian contemporary art.

Follow Nino Davadze:
www.instagram.com/nino__davaze/
www.facebook.com/nino.davadze.3
soundcloud.com/nino-davadze-690125351

credits

released December 16, 2022

Production, lyrics, vocals by Nino Davadze
Mixing & Mastering: Yraki
Photography/Artwork: Nino Davadze

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Nino Davadze Tbilisi, Georgia

Experimental musician and multimedia artist working with field recordings, sound art and abstract sound sources. Her sonic trajectory repurposes the form of IDM, electronic avant-garde via storytelling and political lyricism to create a musical language used as a tool that expresses the resistance of the contemporary Georgian society in the post-soviet context. ... more

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